LATEST A2Z STUFF: TAMIL CINEMA

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Thursday, January 10, 2019

Petta 2019 Tamil Movie Review | Petta Hit or Flop

12:08 AM

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Petta (lit. Hood) is an upcoming 2019 Tamil-language action film written and directed by Karthik Subbaraj and produced by Kalanithi Maran under his production studio Sun Pictures. The film stars Rajinikanth with an ensemble cast including Vijay Sethupathi, Simran, Trisha, M. Sasikumar, Nawazuddin Siddiqui, Bobby Simha, J. Mahendran and Guram.

Principal photography began in June 2018. The first schedule of the shoot began on 7 June at Eastern Forest Rangers College at St. Mary’s Hill, Kurseong in Darjeeling, with the initial portions lasting nine days. The team then shot in other location across Darjeeling and the hill towns for a further month, in locations including St. Paul’s and Mount Hermon School. To finish the first schedule, the team returned to Kurseong for six days. An audition to cast 150 local actors was also held in Charbagh, Lucknow during the first schedule.During the making of the schedule, Rajinikanth met with politician Gautam Deb, who helped the makers have a hassle free shoot in exchange for the promotion of tourism in the area.Principal photography wrapped in October 2018, fifteen days ahead of schedule.

On 25 December Sun Pictures announced 28 December as the trailer release date of the film. Taran Adarsh tweeted. Launching new look poster of the film Sun Pictures official handler on tweeter gave the trailer release time on 28 December.

Petta is scheduled to be released on 10 January 2019, during the Pongal weekend.

Wednesday, January 9, 2019

Viswasam 2019 Tamil Movie Review | Viswasam Hit or Flop

11:48 PM

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Viswasam (lit. Loyalty) is an upcoming 2019 Indian Tamil language action film written and directed by Siva. The film features Ajith Kumar and Nayanthara in lead roles. Produced by Sathya Jyothi Films, the film was officially announced on November 20, 2017 and principal photography began in May 2018. The film is scheduled to release on Pongal 2019. The first look of the film was released on 23 August 2018.

The collaboration between Sathya Jyothi Films director Siva and Ajith Kumar was announced via the studio's official Twitter handle in late November 2017, after months of speculation on Ajith's next project. Nayanthara was announced as the lead actress in early February 2018.. D.Imman was signed on to work as the film's music composer which marked his first collaboration with Ajith and Siva. This would be Yogi Babu's 100th film as actor.

Principal photography was supposed to begin on 23 March 2018,but was severely delayed due to the Tamil Film Producers Council's strike. It eventually began on 7 May at Hyderabad, and wrapped in November 2018 and is waiting for its release for Pongal 2019.

Monday, November 5, 2018

Sarkar 2018 Tamil Movie Review | Sarkar Movie Hit or Flop

3:09 PM

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Sarkar (English: Authority) is an upcoming Indian action drama film starring Vijay, Keerthy Suresh, Varalaxmi Sarathkumar, Yogi Babu and Radha Ravi. The film is directed by A. R. Murugadoss, co-written by Jeyamohan with music composed by A. R. Rahman, cinematography by Girish Gangadharan, edited by Sreekar Prasad and produced by Kalanithi Maran under the banner Sun Pictures.
The film began production in January 2018, and is scheduled to be released in November 2018, coinciding with Diwali.

Following the successful ventures, Thuppakki and Kaththi, A. R. Murugadoss has confirmed to be the director of the 62nd film of actor Vijay. The project, tentatively titled Vijay's 62, was slated to enter production once Vijay completes Mersal and A. R. Murugadoss completes Spyder.

Sarkar's basic story outline has been the topic of discussion all over social media in the past couple of weeks and it's quite a simple one. A super successful NRI returns to India to cast his vote in the election but turns out it has already been cast illegally by someone else. What does he do to regain his right?

So the idea is established right from the word go. There is no time wasted in introducing the hero and his biggest conflict. But the problem with the film starts right there too. Every second scene is a build-up that mostly doesn't serve its purpose. The high point takes a beating after the build-up that one could find pretentious. The first half travels with the story finding expression but with a lot of filler scenes that seem artificial.

We have seen AR Murugadoss handle stories that might seem superficial on the outset, with a larger than life hero. This is somewhat of the same kind and the scale is bigger, but the screenplay in the first half falls short, not managing to meet the demands at all points. The pretentiousness of the screenplay is shown in a swearing-in ceremony scene in the first half. And at many places in the screenplay, the logic is questionable.

However, with an exponentially better second half, ARM works his way out by scoring in scenes that will connect with the audience in a more personal way. AR Rahman's background score in the first half could seem quite functional, but he makes up for it with a superb score in the second half. Girish Gangadharan's cinematography is decent and gels well with the film's mood. Sreekar Prasad proves his expertise in the cuts, but there are numerous scenes that don't quite fit in the scheme of things. Ram-Laxman's stunt choreography is slick and their job is commendable.

With regards to performances, we have Pala Karuppiah and Radha Ravi convincingly playing grey politicians. Varalaxmi sticks to one expression throughout the film and it might not convince the majority. Like most of ARM's other films, the heroine comes off just as a sidekick and Keerthy's role falls in that zone with barely any scope to show off her skills.

The engagement factor could take a big hit in the first half but it works better in the latter half of the film. 164 minutes might seem to be a tad bit longer. The placement of Simtaangaran and OMG Ponnu might irk the audience that looks for progress in the story. The dialogue portions are high in number and like most of Murugadoss's other work, they give out messages with a lot of attention to detail.

At the end of it all, there is just one man who completely steals the show. Vijay's charisma, screen presence and charm are absolutely brilliant. He carries his role with style and grit. He has a few performance-demanding scenes that he aces. Yet, his style of delivering certain dialogues has become a little monotonous. We can find shades of Kaththi that reflect in this film as well.

On the whole, Sarkar can be watched to feel well connected to what our state has been fed within the past so many years, politically. Vijay leads this Sarkar effortlessly.

Verdict: Sarkar is Vijay's strong political voice for a change! Screenplay could have been more engaging and crisper, specially in the first half. But Go for it, this deepavali season.

Critic's Rating: 3.0/5

Sunday, August 14, 2016

Lyricist Na Muthukumar Passes away | Lyricist Na Muthukumar dead

8:35 PM

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He won two national awards for the songs "Ananda Yazhai Meetukiral" in "Thanga Meengal" and "Azhage Azhagu" in "Saivam".

Two-time national award-winning lyricist Na. Muthukumar succumbed to jaundice in Chennai on Sunday. He was 41 and is survived by his wife, a son and a daughter.

He first won the award for the song Aananda Yazhai Meetukiral in the filmThangameenkal and the second award was for the song Azhage Azhagu inSaivam.

"In my opinion he had the calibre to achieve great heights in Tamil literature. But film industry reduced the space for his creativity," said director N. Alagamperumal. Na. Muthukumar wrote most of the songs for his film Dum Dum Dum and all of them were hits.

"He is a friend and we would have a chat over phone once a week. I love his lines Un Perai Sonnale Ul Naaku Thithikkume, Nee Yenkey Nee Yenkey and Desingu Raja Desingu Raja," said Mr. Alagamperumal.

Later, he wrote for films of Selvaragahavan and the song Niniathu Ninaithu Parthen in 7G Rainbow Colony became one of the evergreen film songs. His Anil Aadum Mundril, a poetic narration published in Tamil weekly Ananda Vikatan, proved his grip with the language and close observation of Tamil life.

"It was writer Sujatha who first introduced his poem Thoor in a meeting organised by Kanaiazhimagazine. He introduced images of modern poetry in films songs, which is achieved by very few writers. He excelled both as a lyricist and a poet and he achieved great heights in a short span of life in a highly competitive world," said poet Manushyaputhiran.

He further explained that at a time when music directors dominated the film world, Muthukumar secured a space for poetry and meaningful lines and also an identify for himself.

Muthukumar entered the film world with a dream of becoming a director and worked as an associate for Balumahendra. "But his knowledge in Tamil language and literature led him to the area of song-writing and he first wrote for director Seeman's film Veeranadai," said writer Suka, who also worked with Balumahendra.

A native of Kancheepuram, Muthukumar is also a distant relative of DMK founder C.N. Annadurai, "He studied in Pachaiappa's college and was shaped by his father Nagarajan who was a voracious reader and had a great collection of books," said lyricist Palaini Bharathi.

DMK leader M. Karunanidhi condoled his death, saying he was shocked by the sudden demise of the lyricist.

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